Each song's eq might appear ideal by itself, but if you series them together, all of a sudden one song sounds too bright (or too dull ...). Changing the eq can even whatever out. Idea # 1: keep in mind that any eq changes to your stereo mix impact the entire mix - if you want to cut 3 db at 80Hz due to the fact that your mix sounds muddy, keep in mind to inspect how that affects all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Suggestion # 2: if you're unsure about an eq choice during mixdown, know that it's much easier to cut lower frequencies in mastering than to improve them, and easier to boost greater frequencies than Hip Hop Beats to cut them. Compression: In mastering, this is used not just to manage a mix or to add character, but likewise to "print" or send as much level to the master as possible without clipping the signal. This can almost seem like a competition for who has the loudest cd (" my record sounded great till I listened on my CD carousel and Green Day was 5 db louder!"). But mastering engineers must stabilize level with sonic integrity. Levels: Ideally, a listener can play your record and not need to get up to change the volume. This is dealt with in mastering, after the record has actually been sequenced. Only then can you really understand how levels associate with each other as one tune ends and the next begins.
Spacing & Crossfading.
Spacing: there are different viewpoints as to how one need to approach the spaces put in between tunes on a record. Last suggestion: you might be inclined to master the very same recordings that you mixed, whether it is for monetary factors, creative reasons, or simply because you can. We strongly advise that you get somebody else to master your project.
Common locations of issue for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one song to the next, and spacing between tunes. Or you might have ten songs blended by 3 different engineers in five different studios.
Each tune's eq might appear perfect by itself, however if you series them together, unexpectedly one song sounds too brilliant (or too dull ...). Suggestion # 1: keep in mind that any eq modifications to your stereo mix affect the whole mix - if you want to cut 3 db at 80Hz due to the fact that your mix sounds muddy, keep in mind to examine how that affects all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is utilized not simply to manage a mix or to add character, but also to "print" or send out as much level to the master as possible without clipping the signal.
